What's on

Sloane Stallan, Ugarapul Creation Story, 2025. Acrylic on Canvas, 90 x 125 cm. and Rhan Hooper, Coolamon and Hunting Boomerang, 2025. Mulga hardwood. Image by Louis Lim.

Artists hands and materials. 2025. Photograph. Image: Courtesy of the artists Ailsa Walsh and Krystal Hurst.

Silk and Squeeg Screen-printing Workshop. Image Courtesy of the Artist.  

Image courtesy of the Artist. 

Sharon McKenzie, Exquisite Corpse, 2025. Black pen on Paper. Image Courtesy of the Artist.

Stephen Benwell, Red, Stocking and Dancer 2022, earthenware with porcelain slip, dimensions variable. Courtesy of the artist and LON Gallery. Photo: Tim Gresham.

Installation view, Flood Lines 2025, Ipswich Art Gallery. Paintings by Kylie Stevens. Photography, Claudia Baxter

Matthew Cheyne + Caroline Cheyne
Tending a small fire, 2025 (detail). Image courtesy of the artist and Mitchell Fine Art, Brisbane. Photography by Caroline Cheyne.

Monica den Hertog, Matter, 2023. photograph and tracing paper. Image Courtesy of the Artist.

Tape Painting with YEAHYEAHCLOE. Image Courtesy of the Artist. 

Jessica Carmody, water behind words behind walls (detail), 2025, photopolymer photogravure print, 13.5cm x 20cm. Image: Courtesy of the artist. 

Rebekah Walkarden. Photo by Leah Weir.

Rachel North,an anthology of memory / lingering / in the forgetting. 2024 (DETAIL). Natural and naturally dyed wool and silk with Gotland Fleece, wild tussah silk and red eri silk thread. Photography, Katie Bennett

Emma Jeffery, My first makeup. 2025, oil paints on canvas, 20cm x 20cm. Image courtesy of artist.

Mark George, Green glass bowl in the Chapel, 2023, photography, 30cm x 40cm. Photography by Penny George, 2023.

artist portrait, photographed by Jo Hammond.

Installation view, Arriving Slowly, Ipswich Art Gallery, 2024. Photography by Kelley Sheenan.

Sandra Selig, sound performance at Institute of Modern Art, 2018. Photography by Bryan Spencer.

Elsie Salkeld, Fabricated Illusion (detail), 2024, copper and found objects, size variable.

Photography by Andrew Willis, courtesy of the Queensland College of Art and Design.

Andrea Baumert Howard and Donalee Moriarty, Collaboration (detail), 2024, paper and clay, 50cm x 50cm, Image courtesy of the artists.

Suezan Cunningham, Dandelion Patch (detail), 2024, acrylic, 40cm x 50cm, Image courtesy of the artist.

Rachel North, The Kiss, 2024, stoneware and glaze with lustre, 25cm x 27cm x 17cm, Image courtesy of the artist.

Wayne McDonnell, Fireworks under the Lunar Eclipse (detail), 2024, photograph, 61cm x 43cm, Image courtesy of the artist.

Kylie Hill, Bukanyi - for our future - (when two become one) 2024, synthetic polymer paint on canvas, courtesy of the artist

Cynthia Copley, Coomba Falls II (detail), 2024, oil, 90cm x 120cm, Image courtesy of the artist. 

Michael Boiyool Anning / Yidinyji people / Australia QLD b.1955 / Rainforest shield (hand-held fish net design) and sword, 2000-01 / Purchased 2001. Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Michael Boiyool Anning

Brick [2009.041], Bundanba Brick & Tile Co. (1886-1897) Ipswich Art Gallery Collection. Gift of a private donor through the Ipswich Art Gallery Foundation, 2009

Vernon Ah Kee
Kuku Yalanji/Waanyi/Yidinyji/Guugu Yimithirr people/ Australia QLD b.1967 / neither pride nor courage 2006 / The James C. Sourris AM Collection. Gift of James C. Sourris through the Queensland Art Gallery Foundation 2007. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art / © Vernon Ah Kee

Kylie Hill, Nungarima’s Jarjums (my skin name), 2024 synthetic polymer paint on canvas. Courtesy of the artist.

Kirralee Robinson, Pipe Mirror DETAIL, 2024, found galvanised steel ducting pipe and mirrored glass. Image courtesy of the artist.

Installation view, Articulation, 2024, Ipswich Art Gallery. Photography by Kelley Sheenan

David Pearce, The Inventor (detail), 2023, Images courtesy of the artist.

Connecting to Country, photograph Sarima Chong 2022

Jacqeuline Kaytar, Alter 2024. Installation view, Articulation: Language, Object, Space. Photography Kelley Sheenan

Photography by Kelley Sheenan

Countermeasures, 2024, silicone, pins, wool, pigment, variable dimensions.
Image courtesy of the artists.

Artist portrait photography by Abigail Robinson, courtesy of the artist

Alex Beitz, The Eyes of a Man, 2023, Acrylic on canvas, 455mm x 355mm, Image: Courtesy of the artist.

Elisa Jane Carmichael

Fish Net Cape 2017 | Ghost net and plastic bags, Ipswich Art Gallery Collection, 2023. Photographed by Mick Richards. Image courtesy of the artist and Onespace Gallery.

Sean Williams + Donna Davis
Intertwined 2024 | Found objects, laser cut brushed aluminium, steel, projection. Image courtesy of the artists.

Installation view, Conversations, 2024, Ipswich Art Gallery Collection. Photography by Louis Lim

Christopher Bentley, Television Portrait , 2024, Mixed Digital, 350 mm x 350 mm, Image courtesy of the artist.

Lillian Whitaker, Ritual Collaboration, 2022, Natural beeswax, hexagonal plywood plinths, 1050 x 350 x 350 mm, Image courtesy of the artist.

Installation view, Intertwined: Sean Williams + Donna Davis, 2024, Ipswich Art Aallery | Found objects, laser cut brushed aluminium, steel, projection. Photography by Katie Bennett

Jason Castro
Aunty Antionette House 2023 | Photograph, 42 cm x 60 cm.
Image courtesy of the artist.

Reg P Smith
No. 10 2023 | Oil paint with iridescent pigment powder, 105 cm x 105 cm x 5.5 cm. Image courtesy of the artist.

Doug Spowart
Greg Versace 1993 | Silver gelatin photograph, 30.3cm x 30.3cm
Ipswich Art Gallery Collection, 1993

Photograph of videographer Kate Ellovee and Russell Clifford with the prize surfboard.
Photo by Thomas Oliver www.thomasoliver.photo

Photo credit: Craig Myers

Kate Douglas 
Lost at the Asylum 2020 | Acrylic on canvas, 61 x 51 cm.

Jasper Johns

Bobbi Lockyer
For Our Elders 2023. The 2023 National NAIDOC Week Poster incorporating the Aboriginal Flag and the Torres Strait Islander Flag (licensed by the Torres Strait Island Council).

Curator David Greenhalgh with Robert Rauschenberg, Gemini G.E.L. Kenneth Tyler Booster; from Booster and 7 studies, 1967, National Gallery of Australia, Kamberri/Canberra, © Robert Rauschenberg/Copyright Agency, 2022, © Gemini Ltd/Kenneth E. Tyler

Emily McGuire

Jason McNamara

Megan Cope 2020 | Photo by Rhett Hammerton.

Sally Harrison

George Lambert

(inset) Rebecca Lewis

Terry Martin

Elioth Gruner

Maker Unknown

Jodi Bowen

Lincoln Austin

Glen Smith

Jan Nelson

Jane du Rand

LeAnne Vincent

Philip Zec

Kylie Stevens

Biggingee Sorabjee Poochee

Merton Chambers

Eric Lennartson 2019 | Photo courtesy of Jodie Richter, Ipswich First.

Vivienne Goodman

Hilda Rix Nicholas

Madeleine Kelly

Ellis Rowan

Arthur Boyd

Kate Roberts

Laurence Aberhart

William Bustard

The Buhrich House II by architect Hugh Buhrich.

Photo © Michael Wee.

Jane Burton

Kate Douglas

Elioth Gruner

Matthew Cheyne

The Buhrich House II by architect Hugh Buhrich.

Photo © Michael Wee.

Henry Steiner

Christopher Trotter

Charles Lancaster

Installation view of the exhibition ‘Ipswich Artists: Works from the Collection’ at the Ipswich Art Gallery, 2018.

Laurence Aberhart

EDCO Series

Installation view of the exhibition 'RE: Location – Works by Lyne Marshall' at the Ipswich Art Gallery, 2017.

Kenneth Macqueen

Lyne Marshall

Maker Unknown (initials JSJ)

Dylan Lynch

Charles Page

Andrea Baumert Howard

William Yaxley

Hoda Afshar

Brynhyfryd, Blackstone, Ipswich | Photo courtesy of Picture Ipswich, Ipswich City Council.

Christian De Vietri

Installation view of
Pat Hoffie

Pendragon

Sally Harrison

REVHEAD sculptor Eamon O’Toole with his McLaren Formula MP4/4 1 – Ayrton Senna Car 1991–92.

Ron Mueck

David Rosetzky

Gwyn Hanssen Pigott

Studio portrait by John Lee

Gillman | Courtesy of John Cox’s Creature Workshop.

Jane Burton

Thomas Griffiths

Dinmore Brick & Tile Co.