Ipswich Art Workshop

Prita Tina Yeganeh in the studio, 2026. Image by Greta Cooper. Image Courtesy of Megalo Print Studio.

Image Courtesy of the Artist. 

Image courtesy of the artist. 

Postcard still, The World Came Flooding In. Image Courtesy of the Artists.

Image Courtesy of the Artist.

Image Courtesy of the Artist. 

Hannah with bunny ears. Photo by Marriët Lukje, 2025. 

Sam Cranstoun, Retro Modern 2, 2015-2021. gypsum cement, polymer adhesive, grout 72.5 x 72.5 x 3.5 c. Image courtesy of the artist

Image Courtesy of the Artist.

Image Courtesy of the Artist.

Image Courtesy of the Artist.

Harold ‘Egn’ Eswar / Malaysia b.1980 / Monster of Wants (installation view, GOMA) 2024 / Paper, crayons, vinyl, MDF, paint / A collaboration between Harold ‘Egn’ Eswar and the Queensland Art Gallery | Gallery of Modern Art / Commissioned for Asia Pacific Triennial Kids with support from the Tim Fairfax Family Foundation / © Harold ‘Egn’ Eswar / Photograph by J Ruckli © QAGOMA

Image Courtesy of the Artist.

Image Courtesy of the Artist.

Image Courtesy of the Artist.

Arwin Hidayat, Noisy Silence, 2025. Acrylic on Canvas, 85.5 x 80 cm. Image Courtesy of Mitchell Fine Art. 

Silk and Squeeg Screen-printing Workshop. Image Courtesy of the Artist.  

Image courtesy of the Artist. 

Tape Painting with YEAHYEAHCLOE. Image Courtesy of the Artist. 

Rebekah Walkarden. Photo by Leah Weir.

Photography, Louis Lim

Jasper Johns, Gemini G.E.L. Color numeral series, 1968, National Gallery of Australia, Kamberri/Canberra, © Jasper Johns/Copyright Agency, 2022, © Gemini Ltd/Kenneth E. Tyler